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Troilus and Cressida
Cast and creative team
Cast
| Name | Character |
|---|---|
| Anthony Mark Barrow | Agammemnon |
| Paul Brennen | Achilles/Priam |
| Lucy Briggs-Owen | Cressida/Andromache |
| Richard Cant | Thersites/Calchas |
| David Caves | Hector |
| Oliver Coleman | Paris |
| David Collings | Pandarus |
| Gabriel Fleary | Alexander/Helenus |
| Mark Holgate | Diomedes |
| Damian Kearney | Nestor |
| Ryan Kiggell | Ulysses |
| Tom McClane | Aeneas |
| Marianne Oldham | Helen/Cassandra |
| David Ononokpono | Patroclus |
| Laurence Spellman | Ajax |
| Alex Waldmann | Troilus |
Creative Team
| Role | Name |
|---|---|
| Director | Declan Donnellan |
| Designer | Nick Ormerod |
| Associate and Movement Director | Jane Gibson |
| Lighting Designer | Judith Greenwood |
| Music | Catherine Jayes |
| Sound Designer | Gregory Clarke |
| Assistant Director | Owen Horsley |
| Company Voice Work | Patsy Rodenburg |
| Fight Director | Paul Benzing |
| Casting Director | Siobhan Bracke |
| Technical Director | Simon Bourne |
| Costume Supervisor | Angie Burns |
| Technical Stage Manager | Dougie Wilson |
| Company Stage Manager | Richard Llewellyn |
| Deputy Stage Manager | Clare Loxley |
| Assistant Stage Manager | Rhiannon Harper |
| Wardrobe Manager | David Stringer |
| Lighting | Kristina Hjelm |
| Sound | Helen Atkinson |
Previous performances
Previous Performances
| Date | Location |
|---|---|
| 17–26 July 2008 | Madrid, Teatro Español, Spain |
| 22–14 May 2008 | London, Barbican, UK |
| 6–10 May 2008 | Lyon, Théâtre de Lyon, Célestins, France |
| 1 May 2008 | Bucharest, National Theatre, Romania |
| 28–29 April 2008 | The Hague, De Koninklijke Schouwburg, Netherlands |
| 9–12 April 2008 | The Hague, De Koninklijke Schouwburg, Netherlands |
| 1–5 April 2008 | Reims, Comedie, France |
| 12–30 March 2008 | Sceaux, Les Gémeaux, Paris, France |
Reviews
Reviews
“A remarkably fresh, arresting and sometimes controversial vision.”
Paul Taylor, The Independent
“It’s the kind of work, that needs thoughtful handling – and that’s what Cheek By Jowl excels at.”
Andrew Dickenson, The Guardian
“Admirably clear and coherent…A production that maps out the play with bold assurance and demolishes the myth that heroic individualism can ever triumph over pointless bloodshed.”
Michael Billington, The Guardian
“Vigorous, precise, playful, they are fascinating, lively, mobile, intoxicatingly intelligent, as Donnellan demands.”
Armelle Héliot, Le Figaro
“Dazzling and vital – a staggering production”
Le Figaro
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