The Changeling
Name | Character |
---|---|
Tom Hiddleston | Alsemero |
Jonathan Annan | Jasperino |
Olivia Williams | Beatrice-Joanna |
Jennifer Kidd | Diaphanta |
David Collings | Vermandero |
Will Keen | De Flores |
Jim Hooper | Alibius |
Tobias Beer | Lollio |
Philip McGinley | Pedro/Franciscus |
Phil Cheadle | Antonio |
Laurence Spellman | Alonzo |
Clifford Samuel | Tomazo |
Jodie McNee | Isabella |
Role | Name |
---|---|
Director | Declan Donnellan |
Designer | Nick Ormerod |
Associate & Movement Director | Jane Gibson |
Lighting Designer | Judith Greenwood |
Music | Catherine Jayes |
Technical Director | Simon Bourne |
Costumes | Angie Burns |
Assistant Director | Owen Horsley |
Sound Designer | Gregory Clarke |
Company Manager | Mark Simpson |
Technical Stage Manager | Dougie Wilson |
Deputy Stage Manager | Clare Loxley |
Assistant Stage Manager | Martha Mamo |
Wardrobe Manager | Vic Cree |
Fight Director | Terry King |
Date | Location |
---|---|
19–22 July 2006 | Madrid, Teatro Español, Spain |
12–15 July 2006 | Barcelona, Grec Festival, Spain |
28 June–1 July 2006 | Madrid, Almagro Festival, Spain |
11 May–10 June 2006 | London, Barbican, UK |
3–6 May 2006 | Coventry, Warwick Arts Centre, UK |
29 April 2006 | Frankfurt, Festival des Unions des Théâtre de l’Europe, Germany |
24–25 April 2006 | Luxembourg, Grand Théâtre de Luxembourg, Luxembourg |
11–15 April 2006 | Nancy, Théâtre de la Manufacture, France |
5–7 April 2006 | Reims, La Comédie de Reims, France |
15 March–2 April 2006 | Sceaux, Les Gémeaux Scène Nacionale, France |
“Beautiful theatre, Shakespearian in its grandeur… the actors are quite simply phenomenal.”
Le Figaro
“Surely one of the greatest plays about ungovernable lust and human frailty ever written, and rarely done with such clarity or purpose as in Declan Donnellan’s production, which incorporates the mad scenes into the central plot to unprecedented effect.”
The Independent
“Swift and fatal. This is a star performance. The place should be packed.”
The Sunday Times
“A deliciously excessive gory glory.”
The Sunday Telegraph
“No company could make this play so clear, without losing any of the murk, than Cheek by Jowl…They forcefully show that every play makes its effects through movement as well as speech…Everything is turned inside out.”
The Observer
“Donnellan illuminates the play’s parallel undercurrents with his characteristic clarity and lucidity, bringing both worlds together in an unhinged wedding dance tableau, and staying constantly alert to the play’s inverted vocabulary.”
Metro
“Madness, as much as passion, spins the plot in Middleton and Rowley’s dark Jacobean masterpiece. And the supreme virtue of Declan Donnellan’s Cheek by Jowl production is that the two qualities are virtually inseparable: love and lunacy join hands in a production marked by unity of purpose and what one character calls ‘shivering sweat’.”
The Guardian
“Beautiful theatre, Shakespearian in its grandeur… the actors are quite simply phenomenal”
Le Figaro