Boris Godunov
Name | Character |
---|---|
Alexey Dadonov | Gavrila Pushkin / Shcheklalov, the Duma Scribe |
Alexander Feklistov | Boris Godunov |
Irina Grineva | Marina Msnishek |
Ilia Ilin | Prince Vorotynsky / Russian Prisoner |
Nikolay Khmelev | Father Varlaam / Karela the Cossack |
Olga Khokholva | Owner of the tavern |
Leonid Krasovitsky | Poet |
Andrei Kuzichev / Evgeny Mironov | Grigori Otrepyev |
Evgeny Plekhanov | Sobansky / Bailiff |
Dmitry Shcherbina | Semyon Godunov / Prince Kurbsky |
Oleg Vavilov | Patriarch / Yuri Mnishek |
Igor Yasulovich | Pimen / Pushkin |
Elena Zakharova | Tsarevna Xenia |
Mikhail Zhigalov | Father Superior / Chief Bailiff / Catholic Priest / Basmanov |
Role | Name |
---|---|
Director | Declan Donnellan |
Designer | Nick Ormerod |
Lighting Designer | Judith Greenwood |
Music Director | Maxim Gutkin |
Choreographer | Irina Filippova |
Interpreter / Literary Consultant | Dina Dodina |
Assistant Director | Evgeny Pisarev |
Assistant Director | Anna Kolesnikova |
Technical Director | Vladimir Kizeev |
Stage Manager | Ekaterina Cheremina |
Date | Location |
---|---|
9–16 November 2010 | Sceaux, Les Gémeaux, Paris, France |
22–26 July 2009 | New York City, The Armory, USA |
27–29 November 2008 | Bucharest, Romania |
13–17 May 2008 | London, Barbican, UK |
6–10 May 2008 | Coventry, Warwick Arts Centre, UK |
29 April–3 May 2008 | Salford, The Lowry, UK |
29 November–2 December 2007 | Hong Kong, Cultural Centre Studio Theatre, Hong Kong |
5–6 August 2006 | Rio de Janeiro, Fundição Progresso, Brazil |
28–30 July 2006 | São Paolo, SESC Pompéia, Brazil |
December 2005 | Brussels, Belgium |
June 2004 | Moscow, Russia |
February 2004 | Saint Petersburg, Russia |
October – November 2003 | Ann Arbor, Michigan, USA |
October – November 2003 | Tempe, Arizona, USA |
September 2003 | Berlin, Germany |
November 2002 | Saint Petersburg, Russia |
November 2002 | Riga, Latvia |
April 2002 | Bogotá, Colombia |
March – April 2002 | Caracas, Venezuela |
8–16 February 2002 | Sceaux, Les Gémeaux, Paris, France |
February 2002 | Mulhouse, France |
November 2001 | Créteil, France |
23–26 August 2001 | Zurich, Festival Theater–Spektakel, Switzerland |
July 2001 | Avignon, France |
June 2001 | Warwick, UK |
June 2001 | London, UK |
June 2001 | Amsterdam, Netherlands |
May 2001 | Newcastle, UK |
May 2001 | Brighton, UK |
April 2001 | Moscow, Russia |
February 2001 | Pushkinskie Gory, Russia |
October 2000 | Ekaterinburg, Russia |
October 2000 | Chelyabinsk, Russia |
15 June 2000 | Moscow, Moscow Arts Theatre, Russia |
“A transcendent tale of all too earthly power. A sharp, rare double vision – of visceral intimacy and cosmic distance”
Ben Brantley, The New York Times
“Extraordinary”
Michael Billington, The Guardian
“Forceful fluidity… Vivid imagery… A rare moment of potent emotional immediacy.”
Sam Marlowe, The Times
“In a thrilling modern-dress version, it emerges as a mordant commentary on the instabilities of power and the repetitive nature of tyranny, and it crackles with edgy, topical relevance.”
Paul Taylor, The Independent
“100% proof theatre”
Izvestia, Moscow
“A thrilling vision of Pushkin’s young masterpiece staged with breathtaking panache”
The Guardian