In the past, man filled his life with war. Campaigns, invasions, victories. That’s over and a vast empty space has been left.
Reply this minute, for heaven’s sake. Don’t delay.
Letter from Olga Knipper to Chekhov
Three Sisters
Name | Character |
---|---|
Alexei Dadanov | Prozorov Andrey Sergeevich |
Victoria Tolstoganova / Ekaterina Sibiryakova | Natalia Ivanovna, his fiancée |
Evgenia Dmitrieva | Olga |
Irina Grineva | Masha |
Nelly Uvarova | Irina |
Vitaly Egorov / Evgeny Pisarev | Kulygin Fedor Ilyich, Masha’s husband |
Alexander Feklistov | Vershinin Alexander Ignatievich |
Andrey Kuzichev | Tuzenbakh Nikolay Ljovich |
Andrey Merzlikin | Soleny Vasily Vasilievich |
Mikhail Zhigalov / Igor Yasulovich | Chebutykin Ivan Romanovich |
Yury Makeev | Fedotik Alexey Petrovich |
Mikhail Dementiev | Rode Vladimir Karpovich |
Igor Yasulovich / Mikhail Zhigalov / Yury Smirnov | Ferapont, Caretaker |
Galina Morachyova | Anfisa, Nurse |
Role | Name |
---|---|
Director | Declan Donnellan |
Designer | Nick Ormerod |
Lighting Designer | Judith Greenwood |
Assistant Director | Evgeny Pisarev |
Music | Sergey Chekryzhov |
Vocal Coach | Aida Khorosheva |
Movement Coach | Ramune Khodorkaite |
Interpreter, Literary Consultant | Dina Dodina |
Costume Designer’s Assistant | Natalia Vedeneeva |
Stage Manager | Olga Vasilevskaya |
Technical Director | Vladimir Kizeev |
Date | Location |
---|---|
26–27 April 2013 | Saint Petersburg, Russia |
25 December 2012 | Moscow, Vakhtangov Theatre, Russia |
10 December 2012 | Moscow, Pushkin Drama Theatre, Russia |
9–10 November 2012 | Spain, Girona |
1–4 November 2012 | Spain, Madrid |
21 June 2012 | Moscow, Mossovyet Theatre, Russia |
8–11 June 2011 | Nottingham, Theatre Royal, UK |
19–20 October 2010 | Washington, The Kennedy Centre, D.C, USA |
29–30 January 2010 | Russia, Yalta |
29 September–3 October 2009 | Dublin, Dublin Theatre Festival, Ireland |
6–10 September 2009 | Yekatrinburg, Russia |
29 July–3 August 2008 | Brisbane, Brisbane Festival, Australia |
22–28 February 2008 | Wellington, The Opera House, New Zealand |
31 August–2 September 2007 | Helsinki, Finish National Theatre, Finland |
15–19 May 2007 | London, Barbican, UK |
9–12 May 2007 | Newcastle, Northern Stage, UK |
1–5 May 2007 | Coventry, Warwick Arts Centre, UK |
24–28 April 2007 | Cambridge, Cambridge Arts Theatre, UK |
24 June–3 July 2006 | Moscow, Pushkin Drama Theatre, Russia |
31 March–2 April 2006 | Bogotá, Bogotá International Festival, Columbia |
28–30 April 2005 | Mulhouse, La Filature, France |
6–24 April 2005 | Sceaux, Les Gémeaux, Paris, France |
“Chekhov’s characters, whom we think we know all too well, suddenly burst open, dazzlingly and unforgettably. No one other than Donnellan could have achieved this. He is the first and the unrepeatable.”
Kommersant, Russia
“I cannot imagine a more delicate, luminous and emotionally piercing production of Chekhov’s drama than Cheek By Jowl’s. Performed by the company’s Russian ensemble, it is directed by Declan Donnellan with utter precision, while Nick Ormerod’s design, with its tiny symbolic doll’s house and oppressive backdrop of perilously tilting walls and windows, conveys the way in which the Prozorov family home is both prison and sanctuary. And the acting is nothing short of sublime…Heartbreaking simplicity; simply heartbreaking.”
The Times
“Miraculous Simplicity. Superb!”
Le Figaro, France
“Chekhov as it should be: Declan Donnellan directs an ensemble of the finest Russian actors”
The Irish Independent
“An American ear may not recognize many of the words spoken in this splendid production, performed in Anton Chekhov’s native tongue by a superb Russian cast. But the heart surely connects with all the meticulously realized feeling, the sense of the air being let out of inflated hopes, in a household of declining fortunes in a turn-of-the-20th-century Russian backwater.”
The Washington Post
“Simplicity and clarity of staging allow the complexity to emerge gradually… The freshness here comes from precision, as Donnellan and Ormerod pay attention to every detail of performance and characterisation, picking out the isolation of each character within the close-knit group.”
The Irish Times
“This is a great production, and a thrilling rediscovery of a great and familiar play. Declan Donnellan has lifted from it the bittersweet mist of gentility and melancholy.”
The Sunday Times
“Declan Donnellan and Nick Ormerod, the artistic directors of Cheek By Jowl, are in the unusual position of being considered national treasures in two countries – their native England and their adoptive Russia. The company’s visiting productions had so impressed Moscow and St Petersburg that in 1999 the Theatre Federation took the unprecedented step of inviting them to form a Russian counterpart to Cheek By Jowl. This luminous version of Three Sisters, brilliantly performed by that ensemble, constitutes a complete explanation of why the Russians have taken Donnellan and Ormerod to their hearts…I have never seen a production of the play that moved with such expressive fluency or that communicated its volatile, contradictory moods with a more piercing precision.”
The Independent
“Chekhov as it should be: Declan Donnellan directs an ensemble of the finest Russian actors”
The Irish Independent