Rafe is duly arrayed as the Knight of the Burning Pestle and his chivalric adventures are played out while the domestic drama of the London Merchant struggles towards its conclusion, chronically interrupted by the grocer and his wife who surprisingly get highly involved with its gritty, unpredictable narrative.
Beaumont’s subversive meta-drama burst onto the stage in 1607, at a critical moment when theatre was threatened by a popular movement increasingly hostile to art and culture. A disturbing comedy centuries ahead of its time, it subtly asks questions all the more relevant today: what is art for? Who is art for?
Produced by Cheek by Jowl and Moscow Pushkin Drama Theatre in a co-production with the Barbican, London; Les Gémeaux/Sceaux/Scène Nationale; Centro Dramático Nacional, Madrid (INAEM).