The Duchess of Malfi
Name | Character |
---|---|
Matthew Macfadyen | Antonio Bologna |
Shaun Parkes | Delio |
George Anton | Bosola |
Paul Brennen | Cardinal |
Scott Handy | Ferdinand |
Anastasia Hille | Duchess |
Avril Clark | Cariola |
Nicola Redmond | Julia |
Matthew Bowyer Sean Hannaway Christopher Kell Terence Maynard Guy Moore Peter Moreton | The Court / Officers / Madmen / Executioners |
Role | Name |
---|---|
Director | Declan Donnellan |
Designer | Nick Ormerod |
Lighting | Judith Greenwood |
Movement | Jane Gibson |
Music | Catherine Jayes |
Date (first performance) | Location | No. of performances |
---|---|---|
24 April 1996 | Krakow, Stray Theatre, Poland | 2 |
18 April 1996 | Prague, Archa Theatre, Czech Republic | 5 |
11 April 1996 | Moscow, Vahtangov Theatre, Russia | 3 |
23 March 1996 | Bogota, Teatro Colon, Columbia | 5 |
19 March 1996 | Mexico City, Teatro Jimenez Rueda, Mexico | 2 |
1 March 1996 | Hong Kong, Arts Centre, Shouson Theatre, China | 6 |
21 February 1996 | Vienna, Odeon Theatre, Austria | 5 |
16 February 1996 | Ljublijana, Cankarjev Dom, Slovenia | 2 |
9 February 1996 | Budapest, Katona Jozsef Theatre, Hungary | 4 |
1 February 1996 | Valletta, Manoel Theatre, Malta | 3 |
27 December 1995 | London, Wyndhams Theatre, UK | 37 |
6 December 1995 | New York, Majestic Theatre, USA | 10 |
28 November 1995 | Blackpool, Grand Theatre, UK | 6 |
22 November 1995 | Bucharest, Nottara Theatre, Romania | 2 |
14 November 1995 | Coventry, Coventry Arts Centre, UK | 5 |
26 October 1995 | Melbourne, Althenaeum, Australia | 11 |
17 October 1995 | Oxford, Oxford Playhouse, UK | 6 |
10 October 1995 | Dublin, Gaeity Theatre, Ireland | 6 |
5 October 1995 | Rome, Teatro Valle, Italy | 3 |
26 September 1995 | Cheltenham, Everyman Theatre, UK | 6 |
19 September 1995 | Bury St Edmunds, Theatre Royal, UK | 6 |
Ian Charleson Award 1997
Commendation – Scott Handy for The Duchess of Malfi
“Extraordinary, bordering on the astonishing”
The Times
“Declan Donnellan’s enthralling production is a true and graphic re-evaluation of the play for our own Times.”
London Evening Standard
“Revelatory…Diagrammatic beauty and a stinging psychological penetration. Simply electrifying.”
The Independent
“Declan Donnellan’s production taps into the play’s dark heart…Chillingly captures the moral wasteland of the human soul.”
The Daily Telegraph
“Declan Donnellan’s enthralling production is a true and graphic re-evaluation of the play for our own Times.”
London Evening Standard