
A Family Affair
Written by Alexander Ostrovksy
Performed in English
1988
The censor’s report on Aleksander Ostrovsky’s first full-length play read as follows: “All the characters are first-class villains, the dialogue is filthy, the entire play is an insult to the Russian merchant class!”
Ostrovsky was also ordered to report regularly to his local police station, was put under surveillance of the dreaded secret police, and forced to resign from the civil service.
A Family Affair had, however, been printed in Moskvityanin, a popular monthly literary review, and read aloud in the capital’s literary salons, so that in a few months the young Ostrovsky was Russia’s most famous if unperformed dramatist.
Banned for over ten years, the comedy tells the story of corrupt merchant Bolshov who, in an attempt to evade the creditors, transfers his possessions into the name of his assistant, Lazar. Lazar does not give back the possessions as agreed but instead sets up his own business and even marries Bolshov’s daughter. It is a play of social climbing, cunning and corruption with themes that resonate with contemporary audiences in the modern world.
An adaption by Nick Dear. Produced by Cheek by Jowl. The first performance of Family Affair was on 23rd February 1988 at the University Theatre, Colchester.
“One of the reasons Cheek by Jowl win awards at the rate they do is that they’re not afraid to nail their colours to the mast and be uncompromisingly theatrical.”
City Limits
Cast
| Name | Character |
|---|---|
| Lesley Sharp | Lipochka |
| Anne White | Agrafena |
| Annette Badland | Fominishna |
| Marcia Warren` | Ustinya |
| Timothy Walker | Rispolozhensky |
| Tam Dean Burn | Bolshov |
| Adam Kotz | Lazar |
| Paul Stacey | Tishka |
Creative Team
| Role | Name |
|---|---|
| Director | Declan Donnellan |
| Designer | Nick Ormerod |
| Music | Colin Sell |
| Lighting Designer | Nick Kidd |
Previous Performances
| Date (first performance) | Location | No. of performances |
|---|---|---|
| 27 April 1988 | London, Donmar Warehouse, UK | 24 |
| 15 April 1988 | Carlisle, Stanwix Arts Theatre, UK | 2 |
| 13 April 1988 | Birmingham, Midlands Arts Centre, UK | 2 |
| 11 April 1988 | Cambridge, Arts Theatre, UK | 2 |
| 7 April 1988 | Bury St Edmunds, Theatre Royal, UK | 3 |
| 1 April 1988 | Shrewsbury, Music Hall, UK | 2 |
| 30 March 1988 | Stafford, Gatehouse Theatre, UK | 2 |
| 28 March 1988 | Kidderminster, Rose Theatre, UK | 2 |
| 25 March 1988 | Worthing, Connaught Theatre, UK | 2 |
| 22 March 1988 | Milton Keynes, Stantonbury Theatre, UK | 2 |
| 17 March 1988 | Hemel Hempstead, Old Town Hall, UK | 3 |
| 11 March 1988 | Builth Wells, Wyeside Arts Centre, UK | 2 |
| 9 March 1988 | Basingstoke, Central Studio, UK | 2 |
| 5 March 1988 | Oundle, Stahl Theatre, UK | 2 |
| 3 March 1988 | Harlow, Harlow Playhouse, UK | 3 |
| 29 February 1988 | Stratford Upon Avon, The Swan, UK | 3 |
| 26 February 1988 | Wallingford, Corn Exchange, UK | 2 |
| 23 February 1988 | Colchester, University Theatre, UK | 3 |
Awards
Laurence Olivier Award nomination – Designer of the Year
1988 – For A Family Affair, Philoctetes and The Tempest at the Donmar Warehouse
Laurence Olivier Award nomination – Observer Award for Outstanding Achievement
1988 – Nick Dear for A Family Affair
Laurence Olivier Award nomination – Comedy Performance of the Year
1988 – Lesley Sharp in A Family Affair
Reviews
“One of the reasons Cheek by Jowl win awards at the rate they do is that they’re not afraid to nail their colours to the mast and be uncompromisingly theatrical.”
City Limits
And again I say unto you, it is easier for a camel to go through the eye of a needle, than for a rich man to enter the kingdom of God.
Matthew, Chapter 19
All the characters are first-class villains, the dialogue is filthy, the entire play is an insult to the Russian merchant class!
Censor’s report on A Family Affair

































































