on acting
the actor and the target

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Introduction
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Many different problems arise in rehearsal and performance that can damage acting. The room may be ill lit, badly ventilated, echoey or cold. More significantly, there may be a difficult atmosphere in the group, or a bad relationship with the director or writer. External problems over which the actor may have little control can also coagulate the work; but circumstantial difficulties will not be dealt with here.

When things go wrong I must distinguish between what I can change and what I cannot change. I also have to divide the problem into two parts: first, the part that comes from outside me, over which I may have little or no control, and secondly, the part which comes from inside me, over which I can learn to have increasing control. This book only addresses that second part of the actor's difficulties, the part that seems to come from within.