on acting
the actor and the target

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Introduction

Acting is a mystery, and so is theatre. We assemble in a space and divide into two parts, one of which enacts stories for the remainder. We know of no society where these rituals never happen, and in many cultures these events are at the very centre of that society. There is a persistent need to witness acted-out representations, from television soap opera to Greek Tragedy.

A theatre is not only a literal space, but also a place where we dream together; not merely a building, but a space that is both imaginative and collective. Theatre provides a safe frame within which we can explore dangerous extremities in the comfort of fantasy and the reassurance of a group. If every auditorium were razed to the ground, theatre would still survive, because the hunger in each of us to act, and to be acted to, is inbred. We direct, perform and witness performances to communicate with ourselves as we sleep; theatre cannot die before the last dream has been dreamt.

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